Painting a New York Everyman

The first time he painted his father, a lawyer, Max used him as a model for a 1982 painting of a businessman on a subway platform. The success of that piece led to more sittings and more paintings, in oil or watercolor on wood. Inspired by Edward Hopper and 17th-century Dutch genre painting, many of the resulting images were real-life scenes — Richard visiting the post office, waiting for an elevator — while others, like that of father and son playing a game of pool, were painted from the imagination. Richard Ferguson was a devoted father, his son said, but he wasn’t demonstrative. “Perhaps,” he said, “painting him was one way of trying to elicit more love and approbation.”

In “Painting My Father,” opening Monday at the Hebrew Union College-Jewish Institute of Religion Museum in Greenwich Village, Max Ferguson offers 30 years of these realist snapshots. The show, Mr. Ferguson’s 13th solo exhibition, captures his father as he was, and as he wished him to be — all against a backdrop of a fading midcentury New York.

Best price for Paintings Edward Hopper

Edward Hopper Paintings

Celebrating Hopper, a Favorite Son
“Edward Hopper, Prelude: The Nyack Years” presents 18 paintings and drawings, all but one created while Hopper lived in the house, from 1882, the year of his birth, until 1910, when he moved to Greenwich Village — and all chosen as evidence that the
Edward Hopper Paintings - Nighthawks & More Hopper Paintings
Edward Hopper Paintings at 50% off normal Gallery Prices!! Nighthawks classic work

Painting a New York Everyman

The first time he painted his father, a lawyer, Max used him as a model for a 1982 painting of a businessman on a subway platform. The success of that piece led to more sittings and more paintings, in oil or watercolor on wood. Inspired by Edward Hopper and 17th-century Dutch genre painting, many of the resulting images were real-life scenes — Richard visiting the post office, waiting for an elevator — while others, like that of father and son playing a game of pool, were painted from the imagination. Richard Ferguson was a devoted father, his son said, but he wasn’t demonstrative. “Perhaps,” he said, “painting him was one way of trying to elicit more love and approbation.”

In “Painting My Father,” opening Monday at the Hebrew Union College-Jewish Institute of Religion Museum in Greenwich Village, Max Ferguson offers 30 years of these realist snapshots. The show, Mr. Ferguson’s 13th solo exhibition, captures his father as he was, and as he wished him to be — all against a backdrop of a fading midcentury New York.

Paintings Edward Hopper - Bookshelf


Edward Hopper, Painter of Light and Shadow
48 pages
Edward Hopper, Painter of Light and Shadow

Discusses the life and work of the American realist painter.

Edward Hopper's New England
36 pages
Edward Hopper's New England

This book presents many of Hopper's finest paintings of the region and examines the crucial role New England played in Hopper's development as an artist.

Edward Hopper, An Intimate Biography
678 pages
Edward Hopper, An Intimate Biography

" "This second, expanded edition doubles the number of illustrations, including a new section of paintings in color, and presents the author's analysis of the book's impact and reception.

Paintings Edward Hopper - News


Celebrating Hopper, a Favorite Son
“Edward Hopper, Prelude: The Nyack Years” presents 18 paintings and drawings, all but one created while Hopper lived in the house, from 1882, the year of his birth, until 1910, when he moved to Greenwich Village — and all chosen as evidence that the

Bowdoin College Museum Of Art: A Must-See For Edward Hopper Lovers
Hopper's work in Maine is a little known jewel that has rarely been the subject of a full-scale exhibit before. Expect a total of 90 paintings, watercolors, drawings, and prints. Hopper devotees can expect to find a whole new dimension to the artist's

Theatre review: Nighthawks
EDWARD Hopper's Nighthawks is a brooding painting of lonely city life, an image of three customers and a man serving in the only illuminated corner of a shadowy after-hours street. It is this picture that playwright Annie George alludes

Seeking Edward Hopper
Seeking Edward Hopper An artist's depiction of a person or a place, whether in painting, writing or film, is always an internal depiction. Those seeking an actual place to connect Edward Hopper's painting of “Drug Store” to the corner store on Waverly Place will never find

Art review: "Edward Hopper, Prelude: The Nyack Years"
The result is that feeling of aloneness in Hopper's painting. It was a feeling he would take with him to New York City, into such urban subjects as "Early Sunday Morning" with its blank brick façade and the isolated souls in hotel lobbies and coffee